The Golden Hour
The journey Tod undertook would challenge him creatively in ways he couldn’t have imagined in its planning stages. “I traveled overland starting in Delhi, India, across the Thar Desert, then through Rajasthan, onward through the Punjab, and into Pakistan,” he recounts. “I had originally planned to continue overland through Afghanistan, Iran and Turkey, ending in Istanbul.” But things didn’t go exactly as planned. Along the way he was drugged, robbed, detained, and later struck down with severe intestinal problems. Travelers were disappearing along the road to Kabul. As Tod puts it, “I was forced to end my trip at the Khyber Pass on the Afghan border, due to general ill health and the unnerving likelihood of kidnapping.”
Recording with a single microphone and a laptop in his pack, he captured performances with a vast array of musicians across India and Pakistan - and eventually Turkey and Israel. Bhangra and sufi percussion would form the basis for the songs he wrote along the way - songs about the world he left behind (“This Is My Life”, “Electric City”), politics (“Borneo”, “Hey Clown”), and dislocation (“6:45”, “Feels like the End of the World”). Tod’s acerbic wit shines on The Golden Hour, elucidating both the beauty and the absurdity of the world.
Firewater drummer Tamir Muskat (now also of Balkan Beat Box) produced, mixed and played on the album, along with a strange cast of characters from 5 different countries. Tod tells the story of The Golden Hour in a documentary that is included in enhanced format on the album. He also chronicled his experiences on his travel blog, Postcards from the Other Side of the World, http://postcards.blogs.com/.