So in January 2004 I returned to London and began to work on my initial character developments. Coincidentally at this time I received a copy of a CD compilation i had a piece on which was released by TOUCH, which also had a piece by Chris Watson. So i got on the phone to TOUCH who put me in touch with Chris who has joined in on the project.
Sometime after I had completed mixing the 5 pieces, I sent a copy to my friend Boyd Rice. He emailed me back: \"This is the first avant-garde piece I have heard in years that is truly avant-garde.\"
In the production process, Z\'EV framed his and KK.NULL\'s electro-acoustic musics inside Chris Watson\'s field recordings from East Africa. A dynamic dialogue and inside-outside mirroring of natural and synthetic sound is the result: where the click and rhythm of an insect merges with KK.NULL\'s drumming; where the calls of the elephants combine with the electronic bass frequencies; where bird and frog song and Z\'EV\'s harmonic structures produces surprising counterpoints.